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Luiza Prado



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2020++

About —

    Luiza Prado research that involves sexuality and trauma, mental problems and memorie. Its proposal is to reprocess and desensitize traumas and memories and their neural rescue through art linked to other disciplines, such as technology, physics, neuroscience and psychiatry.

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THE PAINTER (2017)

Performance + Object


The Painter / 2017  
Video Performance + Object (Waist Harness with knife)
Author: Luiza Prado


        The Painter (2017) is about the issue of gender in art (market and history), specifically about the predominance of those who do not perform femininity. Based, for example, on the artwork "The advantages of being a female artist (1988/2017)" from Guerrila Girls, who exhibited at MASP in 2017 and approach the contrast between the small number of female artists compared to the large number of female nudes at the collection exhibition at the Metropolitan Museum in New York (5% and 85% in 1989, 4% and 76% in 2012) and at MASP (6% and 60% in 2017).
 

In performance, the constant and repetitive act recalls a sexual act in its masculine version, symbolizing how culturally, the predominance of men in art (whether in the market or in history) continues to occur, the canvas is the symbolization of women artists and the white symbolizes an attempt to erase, along with the act that tears the screen, as a constant violation.




Mark